Nicholas Maes Books

Nicholas Maes is a Toronto-based author. His unique and thrilling novels span a wide variety of topics and reach out to a diverse range of age groups.

Discover this author and delve into the fascinating worlds that exist within his works.

Books

Fifteen-year-old Charles Ingram is wanted by the FBI. Aware he'll be captured in a matter of days, he decides to write his story and explain why he and his gang committed their crimes. An ex-gamer, bully, and spoiled teen, he's convinced the "System" has brainwashed people and turned them into digital pawns. Parents, teachers, psychiatrists, and cops: they've all gone horribly wrong. That's why he smashed the System and caused it billions in damages - to set people free and turn them back to normal. Fast-paced and thrilling, Third Brick from the Right is a profound and hilarious send-up of life in the digital age.
Twelve-year-old Lewis Castorman is a master locksmith: there is no lock on earth that he is unable to open. He is therefore flattered when world-renowned chemist Ernst K. Grumpel invites him to his office in New York City and offers him a lock-picking assignment. His confidence quickly turns to dismay, however, when he learns this job will take him to Yellow Swamp in northern Alberta, the scene of a disastrous chemical spill a year earlier. He is also horrified to discover that Grumpel is utterly ruthless and, through his chemical inventions, can alter the rules of nature at his will. But the assignment is one that Lewis can't refuse.
How is Grumpel able to create such miraculous transformations? What secrets has he locked away and why has he taken pains to store them in Alberta? Despite the strange discoveries Lewis will make at every turn in his adventures, nothing will prepare him for the final encounter that awaits him in Yellow Swamp.
It is the year 2213. Fifteen-year-old Felix Taylor is the last person on Earth who can speak and read Latin. In a world where technology has defeated war, crime, poverty, and famine, and time travel exists as a distinct possibility, Felix's language skills and knowledge seem out of place and irrelevant.
But are they?
A mysterious plague has broken out. Scientists can't stop its advance, and humanity is suddenly poised on the brink of eradication. The only possible cure is Lupus Ridens, or Laughing Wolf, a flower once common in ancient Rome but extinct for more than 2,000 years.
Felix must project back to Roman times circa 71 B.C. and retrieve the flower. But can he navigate through the dangers and challenges of the world of Spartacus, Pompey, and Cicero? And will he find the Laughing Wolf in time to save his family and everyone else from the Plague of Plagues?
It's been a year since Felix Taylor travelled back to ancient Rome and saved his world from a lethal plague. Again his knowledge of Latin seems useless now that life in the 23rd century has returned to normal. But is it really? A stranger has discovered the time machine and used it to project back into the past. It becomes clear his purpose is to reverse Felix's success, to bring back the plague and doom future generations to death. To make matters worse, this stranger is very close to Felix. With help from his friend Carolyn, Felix must return to the world of Julius Caesar, as well as a later era divided by religion, to stop the re-emergence of the plague. If he fails to do so, his world will turn to dust like ancient Rome.
Simon Carpenter is a normal 16-year-old living in Vancouver. Or is he normal? Any type of music drives him crazy. When walking by a homeless person, he can see the world through the drunken man's eyes. And when visiting a pet shop he hears a rabbit speaking to him. To solve these mysteries, he takes the rabbit home, only to discover that a foreign "presence" lives inside it. To make matters worse, this "presence" belongs to an army of souls that has plans to supplant the human race.
Who are these creatures? How do they plan to accomplish their goal? How is Simon connected to them? And if they can watch his every step, how can he stop them? These are questions he must answer... quickly. Nothing is what it seems to be and failure will lead to worldwide disaster.
Avi Greenbaum is Jewish and lives in West Jerusalem. Moussa Shakir is Palestinian and lives in East Jerusalem. Both are 15 years old, live without their fathers, adore their older brothers, and belong to the same soccer club. Avi commemorates the Holocaust and celebrates Israeli independence, while Moussa mourns on Nakba Day, marking the expulsion of Palestinians from their homes and land in 1948. Their lives are parallel lines: they have everything in common and nothing at all. Each is oblivious to the others existence.
As Avi and Moussa go about their daily routines in the spring of 2006, they face reminders of the conflict that has dogged the region for the past three generations the security wall, suicide bombings, police operations, and the looming shadow of war. While navigating this legacy of suspicion and violence, they must decide what their own roles in the stalemate will be.
Seventy-year-old Nathan Gelder has suffered a stroke. He is floating in a pool of tragic memories, half conscious of his family's visits and the ministering staff in a Toronto hospital. Past and present assail him unrelentingly.
Born a half-Jew in Holland, and scarred by the loss of his parents to the Holocaust, Nathan has been forever at sea. His serene, middle class existence in Toronto, as a fastidious translator and family man, has neither prepared him for the exigencies of the late 20th century, nor helped him overcome his profound sense of loss. Confusion has led to obsession, and obsession has led to a cleansing act of retribution.
As he lies suspended in his memories, his family catches wind of his crime. Is it possible this family man pushed mega-rock star Leonard Barvis to his death?
The media descend. Even as their cameras besiege his paralysed body, and the rock star's fans stage riots world-wide, he pleads for vindication. Unfortunately he is on his own.
Written in an elegant prose, with an equal mix of cantankerousness and mordant wit, Dead Man's Float is sweeping in its emotional impact. The result is a poignant, riveting juxtaposition of western history's darkest chapter and late twentieth century popular culture. Dead Man's Float will leave its readers gasping for air.
author photo

Nicholas Maes is a compulsive scribbler. He is also a classicist (Greek and Latin) and teaches history on the high school level. He lives in Toronto with his family who, when they read his novels, always want to know whether he's based some of the characters on them. So long as he is able to see and move a pencil (or type at a keyboard) he predicts that he'll be writing till he draws his final breath.